Dynamism vibrating

in religious silence

I like dynamism, it appeals to me and probably every one of my creations is born from this stimulus. My method of working is decidedly atypical, I don’t launch from research, but rather from my inner feelings and sensations I receive from the object. I make myself transport these feelings, attempting to favour these whilst understanding what the object is asking me, and then once I have created, I tackle the task of whether it is going to function or not. A method that starts as spiritual and then rational as I want my objects to be primarily emotionalising. My influences are today infinite species in respect to the advent of the web, where we are in a position of being anywhere and seeing anything whilst sitting in front of our monitor. In spite of everything, my two greatest influences are: nature and silence. Nature acts as a geometric formation, forms I search for in the clouds, in a mountain, a long road that cuts a valley in two. Then there is silence, already, total silence. Within air travel in the middle of the night, long bike rides in solidarity or simply before falling asleep in which our brain miraculously empties and responds in extreme alertness our requests. This is the perfect moment.

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